Sentence examples for extravagant violence from inspiring English sources

The extravagant violence is offset by the creepy sweetness of Tima and Ken-ichi's uncanny.

Such extravagant violence is rare now; the streets of Chinatown are slippery with cooking oil, never gore.

It opens with madness, ends with apocalypse, and teems with reckless energy, frenzied passions, extravagant violence, and Cold War paranoia throughout.

Peckinpah seems to identify with this Dundee more, and the film suddenly falls off the wagon along with its central character, getting lost in a haze of boozy revelry and extravagant violence.

She is in good company here, as the talk of the festival -- aside from the extravagant violence -- is the extravagant amount of skin exposed and the focus on sex, including sex that doesn't involve just 20-somethings.

Filmed with Noé's trademark stylisation and self-regarding indulgence, the director meant for Love to question why crinkle-nosed puritanism still exists towards cinematic sex – the thing we spend most of our time thinking about – when extravagant violence, something that Noé's films are familiar with, is much more common.

Two years later, young Bhutanese girls learn dance steps from MTV, and the extravagant, theatrical violence of the World Wrestling Federation has unexpectedly gained a devoted audience of Buddhists.

I've had a most marvellous time with other games to have taken the basic concept of murder and turned it into more than just a bit-part player in a bigger picture – both Bulletstorm and (another Platinum title) MadWorld park any plotline originality to layer on extravagant ultra-violence until it smothers everything else to become the USP of each production.

I've had a most marvelous time with other games to have taken the basic concept of murder and turned it into more than just a bit-part player in a bigger picture both Bulletstorm and (another Platinum title) MadWorld park any plot-line originality to layer on extravagant ultra-violence until it smothers everything else to become the USP of each production.

Tarantino, for his part, doesn't seem that invested in the outcome: this ugly cat's cradle of murderous agendas serves as a mere hanging structure for his trademark bursts of extreme violence and extravagant verbiage.

It's a nice idea, but the actual shenanigans aboard the sub turn out to be oddly strained and dependent on sudden, extravagant and bizarre acts of psychotic violence.