Sentence examples for extraordinary stylistic from inspiring English sources

Exact(4)

The Unvanquished (1938) was relatively conventional, but The Hamlet (1940), the first volume of the long-uncompleted "Snopes" trilogy, emerged as a work of extraordinary stylistic richness.

This extraordinary stylistic range stems from Graham's wish to make a lavish formal show of her epistemological turbulence, her poems' provisional victories over their own inefficacy.

Only with "Diving Into the Wreck" and "The Dream of a Common Language" (1978) does the extraordinary stylistic tension of her most accomplished poems emerge.

How to defamiliarise the limited repertoire of sexual acts was never a problem for him, because of his extraordinary stylistic virtuosity, his metaphorical inventiveness and mastery of an entire thesaurus of other rhetorical devices, which make other novelists (this one anyway) gape in admiration and feel inadequate, whatever his subject.

Similar(56)

In both, Gorky diplays his extraordinary quick-change stylistic skills.

Practically speaking, it is an extraordinary fusion of stylistic contradictions that somehow transform melodramatic excesses and lowdown sight gags into high theater art, suddenly finding new meanings in the oldest clichés and outlandish puns.

Beyond the inherent attractions of each selection, the program offered an effective showcase for this extraordinary ensemble's broad stylistic range.

A writer friend of mine once likened a completed novel to a pressure cooker — the weight placed on every stylistic decision should be extraordinary and evenly distributed.

"The stylistic sophistication of this early work is extraordinary," Mr. Arpino said.

Even when he is not at the top of his form, his stylistic brilliance, his knack for absurdist, targeted entertainment and his extraordinary ear for a brimming basket of idioms make him one of the most impressive living American writers.

One of the basic lessons of this extraordinary journey is how much of the power of Indian painting on both sides of the stylistic divide resides in carefully structured tensions between surface and depth, compressed onto relatively small rectangles where no area is left unattended.

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