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Ornament understood in Classical aesthetics mainly as an extraneous overlay or elaboration, but by Anglo-Saxons as a transformative act provides an entryway into a world of thought in which surface and depth, proportion, symmetry, and value itself had very different meanings.
For expression is never logical, but always affective, that is, lyrical and imaginative; and hence it is never metaphorical but always "proper"; it is never simple in the sense of lacking elaboration, or ornate in the sense of being loaded with extraneous elements; it is always adorned with itself, simplex munditiis.
No elaboration.
The effort is extraneous.
Elaboration likelihoodmodel c.
There is little elaboration.
No elaboration, no qualification.
There is nothing extraneous.
Slushy details are extraneous.
He offered some elaboration.
The questioner wanted elaboration.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com