Sentence examples for expressive mode from inspiring English sources

Exuberance is the default expressive mode of Cham art.

The singers seemed overly decorous at first but soon relaxed into a deeply expressive mode.

This intricate composition, lasting about an hour, represents Mr. Reich's transition from early, process-oriented Minimalist pieces to a more involved, expressive mode.

Having displayed his technical bravura in the first two-thirds of the show, Mr. Weinstein retreated with the Gershwin songs into a simpler, more emotionally expressive mode.

(That tendency hasn't gone unnoticed: in a couple of weeks, they will appear on Jazz at Lincoln Center's Jazz for Young People series, in a pair of concerts gamely titled "What Is Free Jazz?") Within the band's expressive mode, its front line modeled a handy contrast.

The shift in music criticism as a result of the Internet solidifies the relevance of metamodernism as the de facto expressive mode for Generation Y (the oft-discussed "Millennials").

By including and cross-fertilizing so many distinct but related expressive modes, Chance adds yet another layer to this centuries-old interplay, ever so slightly widening its focus.

Muhammad Yamin and other prominent poets at this time were influenced by the forms and expressive modes of Romantic, Parnassian, and Symbolist verse from Europe.

And if you don't know how to wear the leopard pumps you just bought, there's a panel of street-style photos on the right side of the site that visualizes the shoes in more expressive modes.

If the Kanō school and related interpreters advanced the themes and styles of the Muromachi period to accommodate the expansive sensibilities of the new ruling class and new social phenomena in general, yet another alignment of artistic talent offered a reexamination of the themes and expressive modes of the Heian court.

It was a smart move, since those selections — five songs on poems by Friedrich Rückert, five from the collection "Myrthen" and a final group based on texts attributed to Mary Stuart — showed both Schumann and Ms. Fink at work in varying expressive modes, warding off any risk of stylistic monotony.