Sentence examples for expressive capability from inspiring English sources
He described the "largest increase in expressive capability in the history of the human race".
It still has the real wooden keys and hammer mechanism — or "action," as pianists call it — that makes all of these hybrids feel exactly the same as a real piano, giving you all of the same expressive capability.
Grammy Award-winning saxophonist Aaron Lington presents a program of works composed for saxophone, which the release notes describe as having "expansive musical range, great expressive capability, and cello-like tessitura". Nelson's Concerto is written in American Classical idiom.
We found that the expressive capability of hand articulation can be effectively harnessed for controllable shaping by organizing the deformation process in broad classes of intended operations such as pulling, pushing, and fairing.
For the reader who doesn't know Spanish, this is a chance to read books that otherwise would be out of reach; for English, translation adds to the expressive capability of the language by introducing elements that might not have been there otherwise.
Although reed organs continued to be manufactured into the 20th century and were occasionally employed in ensemble music by serious composers such as Arnold Schoenberg and Kurt Weill, they suffered from defects such as sluggish response, cloying tone, and limited expressive capability.
Having established the expressive capabilities of the instrument, Webster had enormous influence on subsequent tenor saxophonists.
The resulting strictness typing system has expressive capabilities far beyond that of traditional strictness analysis systems.
The period of the Renaissance also saw the refinement of a host of lyric and song forms; the rapid development of English music during the second half of the 16th century had a salutary effect on the expressive capabilities of poetic rhythms.
Haydn, though by no means the "father of the symphony," contributed enormously to a definition of the harmonic basis of Classical form, the dramatic role of key relationships, and the expressive capabilities of the winds.
On the generative side, we explore the expressive capabilities of an abstract, faceless, creature-like robot, with very few degrees of freedom, lacking both facial expressions and the complex humanoid design found often in emotionally expressive robots.
