Sentence examples for expressionist image from inspiring English sources

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(Rosenberg) Whitney Museum of American Art: 'David Smith: Cubes and Anarchy' (through Jan . 8 This survey of the sculptor David Smith's geometric abstraction is aimed at revising his Abstract Expressionist image.

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Here he reaches into a bag of tricks that includes vertiginous work with a hand-held camera and oddly massed, almost Expressionist images.

Capable of a sure touch in the work's neo-Classical duet (superbly danced by Mr. Chittenden and Ms. Joyce), she coated the piece with trite expressionist images.

The disorientation begins the first time an actor speaks: so ingrained are the silent Expressionist images of the original that it is jarring to hear voices.

This experience has given rise to new departures in his painting in the form of striking new expressionist images of the beaches, dunes and seascapes around his new home.

Room opens with the sound of breathing, expressionist images of a scratched wall, a sink, a skylight and the whispered words: "Go back to sleep…" This is the 10ft x 10ft sealed enclosure in which five-year-old Jack Jacob Tremblayy) lives with his "Ma" (Brie Larson, also Oscar-nominated), a young woman who, like Alice, fell down a rabbit hole when she was abducted seven years ago.

A sheet of plastic cut to line the back of a car raises the spectre of "honour" killings (though the phrase is never used) but Robbie Ryan's evocative cinematography universalises matters with a kaleidoscope of expressionist images: the country-dark of the Yorkshire moors; the unforgiving glare of a fluorescent light; an expanding pool of spilt nail-polish.

Farr believed that contemporary cinema influenced Tintin in the Land of the Soviets, indicating similarities between scenes in the book with the police chases of the Keystone Cops films, the train chase in Buster Keaton's The General and with the expressionist images found in the works of directors such as Fritz Lang.

For his third New York show, Mr. Ocampo has resorted to splashing impenetrably pretentious art-critical phrases (some borrowed, some invented) across generically Neo-Expressionist images.

Permeke is credited with helping to introduce an Expressionist approach typified by images that are often distorted by the artist to express emotional qualities to Belgian art.

And the look of the production, designed by Rob Howell, is an eye-poppingly lurid buffet of Expressionist and Secessionist images, with visual references to everyone from Klimt to Kokoschka.

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