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Perhaps the purest expression of genre extremism in this year's festival is "Tetsuo: The Bullet Man," Shinya Tsukamoto's third film about men whose anger slowly turns their bodies into metal.
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The evolution of this scaffolding for context is outlined in Figure 15 below – in Hjelmslevian terms, with language the expression plane of register and register (tenor, field and mode) now positioned as the expression plane of genre.
Elizabeth Kolbert's The Sixth Extinction: An Unnatural History is both a highly intelligent expression of this genre and also supremely well executed and entertaining.
And you know I'm a singer, I'm a singer, I just like music, so I don't always stick with the hard core dancehall, I might add some romance, or some wider, different expressions of the genre, so maybe that's why they said that.
Despite auteur cinema (the personal expression of a director) being the antithesis of genre cinema, directors such as Jean-Luc Godard, Jean-Pierre Melville and Rainer Werner Fassbinder used established genres for their own purposes.
Writing a catchy pop song presented a whole new challenge for me but also allowed a balance of true expression through the merging of genres.
Their lighting effects more or less invented a film language that allowed for the effective expression of the anxieties attached to the horror genre.
That's the nature of genre.
Which brings up the issue of genre.
There are two types of genre: macro-genre and micro-genre.
What kind of genre is a genre?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com