Sentence examples for exposition scene from inspiring English sources

"Scene, Exposition, Scene, Flashback, Scene, Cue Epiphany".

Mr. Weber and Mr. Morrow are good enough to play an exposition scene in a car, which was so obviously shot on the cheap that the hands of the crew members rocking the vehicle might as well be visible.

Both she and McNutt were glad that Tyrion's exposition scene in the tent with Bronn and Shae did not use sex to keep viewers, as was done in past episodes.

Hodges had already heard that criticism from Burbank, aside from Warner Bros. co-chairman Frank Wells, who was a lone supporter, and had reluctantly acquiesced to to add an opening exposition scene so that audiences would have "Someone To Root For".

But its capacity to turn a single sound into not just evidence of football's mortal stakes, but exposition, scene-setting and anthropology (this is West Texas, where football players and E.R. workers work closely together), is proof that this is a fiercely controlled and inventive work of art.

We first see him in a hotel room on a stopover, and here I thought John Gatins was obeying a law of "sexposition", using sex to spice up exposition scenes.

Mr. Cohen stages the action with more concentration and intensity than anything else: his lack of pretension involves plowing through the exposition scenes with the emotional import of someone waiting for the automatic pinsetter at a bowling alley.

She is not the only person given to monologues better suited to the creaky exposition scenes of an austere Hammer Studios horror film of the 1950's and 60's; "The Klumps" screeches to a halt a number of times as we get lengthy scientific explanations, leaving skid marks and unintended comedy.

The review also thought that the film was "marred with too many clunky exposition scenes and not enough moments of Bond being Bond".

Shoved in are dull, great-actor-as-real-guy historical exposition scenes with Ben Kingsley as Hungary's beleaguered leader Regent Horthy, not to mention a cookie-cutter romance between Elek and a sweet-faced woman (Hannah Tointon) that allows "Walking With the Enemy" to breathlessly cover all the bases of ready-made uplift: courage, sacrifice and love.

A good librettist would have advised him to narrow his focus, but as it stands the narrative is clotted with exposition and scene changes.