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Not everyone in the movie audience knows who Virginia Woolf is or gives a damn, and one of the things that's remarkable about the movie is that it doesn't waste a lot of dramatic time in ordinary exposition, explaining who this woman is, or, for that matter, what the connection among these three women is, what they're all doing in the same movie.
Danuser: An example: Long sequences of talking, exposition, explaining, character interaction, that's not what WoW is best at.
The picture starts with exposition explaining the film's villain, a former 1980's child star lost in his onscreen persona, before kicking off with a curtain raiser sequence worthy of a James Bond movie.
Instead of just sitting your readers down for a long exposition explaining a character's background or a plot-point's significance, try to let the readers discover the same ideas through the words, feelings and actions of your characters.
Similar(56)
Certainly not, as this scholarly exposition explains.
Soil chemical properties, soil type and exposition explained most of the variation in oribatid mite assemblage.
Beside soil type, exposition explained a considerable proportion of mite assemblage variation.
This is just a less technical way of saying that Atlanta ain't about "exposition" or explaining its jokes.
I'm not used to TV shows that have no interest in holding my hand over what I don't know or didn't expect, which is just a less technical way of saying that Atlanta ain't about "exposition" or explaining its jokes.
But the film falters when it uses earnest psychological exposition to explain Kahlo's tumultous life.
(Just that tiny bit of exposition helps explain why the tale is called a saga and the film versions are invariably described as "high-brow soap opera").
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com