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Most of the other novels, however, suffer from overly long exposition and description, excessive detail, and mannered, artificial language.
The major events were pretty much the same, although I hadn't been aware of remembering them so well, the pacing of the events was very close, almost congruent, the relationship of dialogue, exposition and description in terms of space used for each quite close, but the language was different.
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And lengthy scroll sequences of exposition (descriptions and backstories) had to be replaced with silent scenes and interactions.
The analysis following Text Charting under typical section episodes of Description, Explanation, Exposition and Argumentation, results in a list of rhetorical predicate links which themselves need to be linked to create a conceptual map.
Much exposition and data are packed into "Ruined": descriptions of the mineral wealth that has made the area where Mama lives such viciously contested property; accounts of the mutilation and destruction inflicted by both government and rebel soldiers; reflections on a war that (in the words of a shady, seedy entrepreneur played by Tom Mardirosian) "keeps fracturing and redefining itself".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com