Sentence examples for exposition about from inspiring English sources

A scene set in Vegas is pretty much 10 minutes of exposition about complicated financial instruments.

"The paper he wrote in 1963 is a masterpiece of clarity of exposition about why weather is unpredictable," said J. Doyne Farmer, a professor at the Santa Fe Institute in New Mexico.

"I want a positive construction of the black image, so this is not an exposition of Afro-Brazilian art, but an exposition about black people and how they express themselves".

Josie and her professionally Irish father, Phil, spend much of the play's first half-hour indulging in a gruff, showy banter that doesn't quite disguise the overly extensive exposition about their friend and landlord, James, and their relationship with him.

There's lots of talk about "short squeezes" and "holding positions" that make absolutely no sense to non-traders and the show doesn't bother with much exposition about what it all means.

Tossed into virtually every scene are handfuls of exposition about the mechanics of the movement, the more ham-fisted bits being proffered by the two F.B.I. agents listening in on meetings between Lawrence and his allies.

Kirsten Childs is an utterly original lyricist-composer who has shaped the sha-la-la of 60's girl group refrains into revelatory expositions about race in her forthcoming musical "The Bubbly Black Girl Sheds Her Chameleon Skin".

The expositions about NN and its algorithms are well described in Tulunay et al. (2004a) and Watthanasangmechai et al. (2010).

But true to the king of cyberpunk's original code, this isn't about exposition.

She also saw them as a way to speed through plot exposition, especially about her other chief creation, the spider villainess Arachne, whose story line and function in the musical have nevertheless proved confusing to many audience members.

An exposition of about 1,300 works, it introduced the New York art audience to movements like Cubism, Fauvism and Futurism, as well as the work of artists like Pablo Picasso, Henri Matisse and Marcel Duchamp, jolting them out of their romance with realism and toward newer, more experimental interests.