Sentence examples for exploiting film from inspiring English sources

This is done by exploiting film's special sensitivity to blue light.

If this were achieved by exploiting films patterned down to, for example, the stripe width, then one may electrically switch OOP magnetization in bits that each comprise a single magnetic domain, notably for low-power write in high-density perpendicular data storage.

One of his first personnel decisions was to hire Wiley Hausam, his agent at I.C.M., to work full time at the Public to exploit film, television, recording, and other rights to plays produced there.

The combination of ATRP synthesis and LB technology is then promising to obtain optical storage in films with improved thermal and mechanical processabilities, though a further degree of control must be sought to exploit film organization while maintaining the necessary free volume in the films.

Backers New Line/Warner Bros have done their best to position Tammy as a mainstream, laugh-packed Melissa McCarthy comedy, effectively exploiting the film's notable comedy set piece in a trailer.

The film's limited screenings led Cinemation to exploit the film's content in its promotion of the film, advertising the film as containing "90 minutes of violence, excitement, and SEX...he's X-rated and animated!" According to Ralph Bakshi, "We almost didn't deliver the picture, because of the exploitation of it".

They are actively exploited in film, video, photography and computer art.

The other objection raised by the palace in its statement is that the Sun "exploited" the film.

The opening shot of "Quill" illustrates just how willing the director Yoichi Sai is to exploit his film's protagonist: it's an irresistible close-up of a sleeping Labrador retriever puppy.

But the movie included two venal Jewish club owners, Moe and Josh Flatbush (played by John Turturro and his younger brother, Nicholas), who exploit the film's black jazz musicians, played by Denzel Washington and Wesley Snipes.

New York exhibitors, though, tried to exploit the film's notoriety by opening "Stromboli" on 120 screens, plainly hoping to cash in before the word got out that the film was, in fact, a work of great ethical seriousness and profound religious feeling — or, as Bosley Crowther, the Times's chief film critic described it, "incredibly feeble, inarticulate, uninspiring and painfully banal".