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When La Celestina, the video opera in the Met's Vélez Blanco Patio premiered in March, I got right in there, exploring the space and experiencing the performance from different angles, both visually and acoustically.
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The real fun, however, was re-experiencing the performance through the commentary and snarky reactions that followed.
Design changes primarily in the consideration of how the audience experiences the performance event.
What if they could activate some sort of projection on the outside of the venue itself so that passersby could experience the performance taking place inside, making a private, elite experience a public one?
Central to Mr. Gelb's conception of the Met's venture was that broadcasts would be live: audiences in movie houses would vicariously experience the performance with patrons at the Met.
I was about to experience the performance of a lifetime.
However one experienced the performance - as a sitter, an observer, or an internet voyeur - it was an experience they won't soon forget.
The 270° direction experiences the worst performance, and its performance is different from the performance of the 90° direction.
My guess is that they simply wanted to experience the concerto performance up close.
In the scenario with ideal MAC protocol, one can observe that the nonuniform configurations experience the expected performance improvement.
For those who weren't lucky enough to experience the Royal Academy performance, the BBC produced a really evocative film about Symphony of a Missing Room.
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