Sentence examples for experience of room from inspiring English sources

There was a book signing at a Barnes & Noble branch, a ride on the Staten Island ferry and the rare experience of room service at the hotel, with Mr. Dawson signing his name for it.

"I've always thought of myself as a huge success!" Her own crowded childhood could hardly be further removed from the experience of Room's five-year-old narrator, Jack, but it is through him that Donoghue explodes any doubts her detractors might have had about the wisdom or value of her project.

And, yet, the experience of a room − especially a big public room − lit by remorseless fluorescent light can be very unsettling indeed.

"On each board all the images belong to the same language and all are more or less equal within it, because they have been chosen in a highly personal way to match and express the experience of the room's inhabitant," Berger writes.

But the experience of A Room for London directly stimulates unusual ideas about townscape plus the simple sheer excitement of occupying mood-changing space.

In some cases, the choice is affected by availability of equipment and experience of operating room personnel.

The content of one's present experience of the room in which one sits depends in part upon its location within a far larger structure associated with one's awareness of one's existence as an ongoing temporally extended observer within a world of spatially connected independently existing objects (Kant 1787, Husserl 1913).

(Or has he? It is possible that all of this takes place in his mind?) As visitors are guided throughout the ward, they encounter unique and mesmerizing portrayals of characters and scenes from Caroll's book, as well as being treated to food and drink that heightens the sensory experience of each room or scene.

My experience of locker rooms in the past … things I'd previously heard had scarred me.

His images captured the heady experience of entering rooms rather than humdrum details of collections and fabrics.

"We've brought a similar idea of linear choreography and movement, designing the park as a sequential experience of outdoor rooms, connected by an arced promenade of trees".