Sentence examples for experience merged from inspiring English sources

Exact(1)

John Williams's score, with its post-Wagnerian system of leitmotifs, is so deeply integrated with the evolving action of the film — and the playing of the orchestra, under the expert command of David Newman, was so fluent — that the live and prerecorded elements of the experience merged effortlessly into a single stream.

Similar(59)

To be fully transparent though, my dream is to have these experiences merge rather than them remaining as silos.

That experience of merging fashion and technology could be vital as Apple gets into more wearable technology such as the anticipated iWatch.

Though he says his technique isn't flawless, by experimenting with long exposures and camera motion, he has managed to make images that sometimes capture the primal experience of merging a human body with music.

The former are those who, in the moment of ecstasy, are so overcome by the presence of the divine that awareness of personal identity is lost and who experience a merging with ultimate reality.

And the dominant image of her that comes across in the show is of an alert, ambitious artist who, if not naturally fearless, used fear well, transmuting a profound sense of psychological and cultural displacement into an experience of merging with the natural world and its history through art.

Sharing the same sonic and graphic inspirations, the two avant-garde and mesmerizing music videos provide the viewers with a powerful audiovisual experience that merges Sodeoka's colorful and dynamic retro-futuristic aesthetic with graphic elements straight from 70s design think balls, stripes and simple shapes.

Sharing the same sonic and graphic inspirations, the two avant-garde and mesmerising music videos provide the viewers with a powerful audiovisual experience that merges Sodeoka's colorful and dynamic retro-futuristic aesthetic with graphic elements straight from 70s design think balls, stripes and simple shapes.

In particular, they argue that these findings are consistent with studies in animals demonstrating a dominant role for visual experience in merging maps of different sensory modalities in the superior colliculus.

Since there were no significant differences between those who had a mainly negative general experience and those who had a both positive and negative general experience, we have merged these into one group in the analysis ('negative general experience').

I'm exploring a new art form in as much as taking the experiences and merging them together into a new experience.

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