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"I was sworn to secrecy, never to divulge any of Houdini's secrets," she said in a 1999 interview for a PBS "American Experience" documentary about Houdini.
JFK (PBS, Nov. 11) Over two nights and four hours, this "American Experience" documentary promises to take a full look at John F. Kennedy's career and achievements.
For nearly two hours, this "American Experience" documentary, tonight on PBS, recounts what may be the most television-friendly life story in the history of playwriting.
At every given stage, you know as much as Smiley no less and no more and you are there, along with him, trying to make sense of assorted bits of testimony, experience, documentary evidence.
The "American Experience" documentary "Grand Central" is such an entertaining wallow for New York PBS viewers that it's disconcerting to note that it was produced, as World Series champions are these days, in Boston, by the public television station WGBH.
That's the question at the heart of this "American Experience" documentary about Kit Carson, the guide who left his Missouri home in 1826, when he was just 16, and blazed a path for a westward-moving nation.
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It's an honest experience in documentary.
Mr. Ortoleva, an entertainment lawyer with 20 years experience in documentary and television production, does his own advertising, pitching the towns and cities of Connecticut at film festivals and private meetings with industry executives in New York and California.
"La Bataille du Rail" ("The Battle of the Rails"), his first feature (1946), was commissioned by a cooperative with ties to the Communist Party and the very real resistance of the French railway workers union; like "Rome: Open City," it has a raw, newsreel-like quality, born as much from the director's previous experience in documentary shorts as to the limited production resources of the time.
Writer-director Kim Mordaunt and producer Sylvia Wilczynski draw on their experience of documentary making in that country to spin this winning tale of a cursed but rebellious boy, forced to move home by a dam-building project but eventually finding inspiration in a village rocket contest (these rockets being scarily humungous fireworks).
My earliest experience with documentary photography was with Lewis Hine's clothing mills and places of industry.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com