Sentence examples for existing body of work from inspiring English sources

She objects to the dilution, for profit, of an existing body of work.

Like Charles Elton, whose 2009 debut novel, Mr Toppit, explored a similar theme, Byatt has set herself the task of persuading readers to jump into the world of a make-believe writer, with no existing body of work to draw us in.

At an age when most rock 'n' rollers, if they're still alive, have become either tributes to or parodies of their earlier selves, Mr. Springsteen seems to have settled into an enviable groove, with new musical forms to explore and an existing body of work that never seems to get old, with plenty to say and an audience that hangs on his every word.

This paper contributes to the existing body of work by focusing on the particular context of geospatial information.

Until this becomes concrete, we need to understand the existing body of work and the choices available to developers and researchers.

They are deployed extensively in the field of education, with an existing body of work examining the relation between games and education (Yang, Chen, & Jeng, 2010; Chiang, Lin, Cheng, & Liu, 2011).

A literature review is a systematic and reproducible method for identifying and synthesising the existing body of recorded work generated by researchers or scholars (Fink, 2013).

Her first novel in English, A Concise Chinese-English Dictionary for Lovers, was written, she has said, out of frustration at the shortage of literary translators, which meant that her existing body of Chinese-language work could not get the attention of London publishers.

A SLR is a systematic, explicit and reproducible method for identifying, evaluating and synthesising the existing body of completed and recorded work produced by researchers, scholars, and practitioners [36].

Despite its weaknesses, the existing body of health policy analysis work in LMICs demonstrates its contributions to understanding the nature of policy and the often unexpected challenges to bringing about policy change.

A member of the class of 1907, she was drawn to the circle of American artists exhibited in Manhattan by Alfred Stieglitz, whom she and her husband, Arthur Schwab, patronized from the mid-1920s until at least 1940, supplementing their existing body of Post-Impressionism with works by Georgia O'Keeffe, Arthur Dove and other modernists.