Sentence examples for existence of work from inspiring English sources

Despite the excitement over the flow of projects — indeed, the mere existence of work — there is also a deeper concern: all those empty apartment buildings in Harbin and elsewhere suggest that China's building boom may have passed its peak.

These are the presence of collective labor agreements (1/0), and the existence of work councils (1/0).

While conducting regular time studies, the existence of work cycles with a stabilised succession of work times is assumed.

Similarly, a long series of philosophers have taken subjective relations and experiences to be crucial to answering the question of the existence of works of art.

Dewey somewhat surprisingly begins this work with the claim that the very existence of works of art hinders any aesthetic theory that seeks to understand them.

A few thinkers writing about aesthetics have, however, conjectured that we would be better off without committing ourselves to the existence of works.

A similar plurality of modes of existence of works of art had been postulated by Étienne Souriau (1943 , 1947, who posited thing-like [chosale], aesthetic, and transcendent modes of existence.

It would be quite misleading to give the impression that all of those philosophers who thought minds and their activities have something to do with the existence of works of art also thought that this means that works were somehow less real than, say, natural physical entities and events.

These range from the detection of seeps to confirm the existence of working petroleum systems in large regional surveys (Shengwei 2012), to reservoir and even well scale detection of hydrocarbon fractions directly leaking from specific accumulations, achieved with ultrasensitive sea-bottom detection systems (Mcconnell 2016).

Royal Flying Corps observers had noted the existence of works curiously resembling the Canadian positions well behind the enemy lines.

It thus apparently falls between categories such as the 'real' and the 'ideal', and so accepting the existence of musical works (like literary works) seems to require us to accept the existence of things in a category distinct from either of those — that of purely intentional objects.