Sentence examples for exhibition zone from inspiring English sources

Meanwhile, Mojang's partners - from companies running online Minecraft servers to merchandise sellers, educational tool makers and publishers - will take part in Minecon's exhibition zone, showing off their products.

Amanda Levete Levete is renowned for her svelte geometric treatment of surfaces and articulations and her response to the Boilerhouse Yard is to create a cantilevered walkway that eventually takes visitors into a "vast" column-free exhibition zone.

The anti-E. coli activity of HBD3 protein was evaluated by bacterial growth curve and exhibition zone tests.

The pavilion is located in the Puxi area of the Expo exhibition zone and covers an area of about 6,000 square meters.

As they worked, construction teams came upon an abandoned set of rooms containing 25,000 historical items; these were incorporated into the rest of the structure to add a new exhibition zone.

One idea is to display semipermanent pieces that stretch outside conventional exhibitions zones, like installations around the staircases and windows, or handing the entire space to 15 curators all from different countries.

Her other built works from this period include a housing project for IBA Housing (1989 93) in Berlin, the Mind Zone exhibition space (1999) at the Millennium Dome in Greenwich, London, and the Land Formation One exhibition space (1997 99) in Weil am Rhein.

His photography is part of the "Conflict Zone" exhibition, and his book "Can't Give This War Away: Three Iraqi Summers of Change and Conflict" is available from Blurb and as an e-book on Amazon.

Examples of deconstructivist architecture include Daniel Libeskind's Jewish Museum in Berlin (1989 99); Zaha Hadid's Vitra Fire Station in Weil am Rhein, Germany (1989 93), and her "Mind Zone" exhibition within Richard Rogers's Millennium Dome in Greenwich, England (1999); and Peter Eisenman's Wexner Center for the Visual Arts in Columbus, Ohio (1983 89).

Bulisova's "Time Zone" exhibition is a multimedia project that profiles Lashawna Etheridge-Bey, a 39-year-old Washington resident who was released from prison in December 2011 after 18 years behind bars.

He is a masterly, droll manipulator of exhibition spaces as zones in which art overlaps with life.