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You are presented with two paths to take when you walk into artist John Akomfrah's solo exhibition US debut at Lisson Gallery.
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By moving back in time, the exhibition eases us into the past, rather than launching us abruptly back into 1966 when computers took up whole rooms and were operated by punch cards and dials.
"Evidence is ambiguous, and scholars disagree," the exhibition tells us.
The exhibition leads us chronologically through the resulting maelstrom.
"The designs in this exhibition give us opportunities for reflection," he said.
The ocean, the exhibition reminds us, became in Shakespeare's plays both "a literal setting and metaphor for instability".
Other artists in this exhibition wow us with visions of pristine wilderness.
"Well, I mean, this isn't exhibition to us," Wright said.
We can discern, too, a bit more than the exhibition tells us.
The exhibition allows us almost to dream of taking part in those celebrated revels.
Of course, as the exhibition reminds us, the reality continued to be quite different.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com