Sentence examples for exhibition statement from inspiring English sources

In an exhibition statement, Ms. Liden refers to horror movies and quotes from Revelation.

"I see the rock paraphernalia as both a culture industry product as well as a form of proletarian folk art," he says in an exhibition statement.

That it was conceived as a distinctly un-Armory event, however, is clear from its exhibition statement, available at the gallery.

"In Bangladesh, the Rohingyas now survive in inhumane conditions — 16 or more refugees live in a room that is barely more than three square meters with food and medicine scarce," Mr. Omi wrote in his exhibition statement.

"I wanted to get to nonart, nonconnotive, nonanthropomorphic, nongeometric, non, nothing, everything, but of another kind, vision, sort, from a total other reference point," she wrote in an exhibition statement in 1968.

Collage paintings by Ricardo Francis and a floor piece by an artist named e-mael are hard to categorize thematically and are intriguing for that reason, as is a written exhibition statement by the playwright Ricardo A. Bracho, which combines activist polemic with shrewd advice on how to make the down low work for you.

"Contrary to recently published reports relating to the announcement by the V&A of an upcoming David Bowie Exhibition, I am not a co-curator and did not participate in any decisions relating to the exhibition," his statement said.

By problematizing this location and the space I occupy within it, there begins the auto-fictional presence of Twenty Looks or Paris is Burning at The Judson Church (S)" (from "Anti-Establishment" Exhibition Guide/Curatorial Statement by Johanna Burton, CCS Bard Galleries).

The exhibition's press statement mentions Sigmar Polke and Blinky Palermo as precedents, but these artists were trying to make something we hadn't quite seen before.

The exhibition carries a statement from the film's director, Brian Helgeland: "The East End is now a very different place where enterprise and design meet and the Krays have slipped into the alchemy of legend".

But it is the unlikely locale of a serene college town in central Connecticut, far from the streets of Iris Baez's grief, that is perhaps the "Black and Blue" exhibition's strongest statement: that police violence has become an all-American worry, an issue to be pondered, lamented, and dissected not just in the cauldrons of New York City, Philadelphia or Los Angeles, but also in the classroom.