Sentence examples for exhibition organization from inspiring English sources

He is an artist who works as a curator at Adaptation, a small arts exhibition organization.

A 35mm nitrate work print of "Too Much Johnson" was recently found in a warehouse in Pordenone, Italy, by staff at Cinemazero, the film exhibition organization that partners with Cineteca del Friuli for the city's annual silent film festival, Le Giornate del Cinema Muto.

The American Cinematheque's gala provides funds for the nonprofit film exhibition organization's programs throughout the year as well as the operation of the historic Egyptian Theatre in Hollywood and the Aero Theatre in Santa Monica.

The landmark Beaux-Arts building towering over the Melrose neighborhood has opened its doors to the public for the first time in nearly four decades, hosting a free art exhibition organized by the nonprofit organization No Longer Empty through Sunday.

This strange paradox serves as the impetus for In a Post-World: Post-Punk Art Now, a group exhibition organized by Canadian creative organization Pesot, held at The Invisible Dog Art Center in Brooklyn.

At Artrain's opening reception in Athens, the first of four days here, staff members have changed from their work clothes to evening wear and welcome the local V.I.P.'s to the exhibition, the organization's 14th, entitled "Artistry of Space".

According to Rory Scott, a spokesman for the exhibitions' sponsoring organization, Rodman planned to visit December 18 21 and train the North Korean team in preparation for January games.

The Johns Hopkins chapter of Habitat for Humanity, led by senior history major Kevin Park, will organize a student art exhibition highlighting the organization's work in Baltimore and around the world, including photographs documenting its post-Katrina rebuilding efforts in New Orleans.

Next to the main negotiations is a large exhibition space with organizations from around the world trading ideas about how to power their economies in ways that produce less pollution.

It is only by careful study of texts and objects, only by dissecting the exhibition's principles of organization and implication, that conclusions (and delusions) can become clear.

Feeling that the once-revolutionary style of the group had become a rigid formula, Steinert abandoned Fotoform after the 1958 exhibition, and without his organization of the exhibitions, the group ceased to exist.