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This makes the exhibition less powerful than it might have been.
Yet he looks to us today – and especially after this flawed but important exhibition – less like an Enlightenment figure and more like the father of what came after.
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Dry, cerebral, fragmentary and stylistically derivative, the exhibition is less affecting and less informative than any number of newspaper and magazine articles about the Palestinian situation you might have read over the last 40 years.
But the rest of the exhibition is less clearly representative.
For the most part, the exhibition is less overtly about politics than about science.
The value of this exhibition is less in what it offers visually than in how it captures an era.
They are part of the permanent collection, but together form an exhibition no less compelling than the imported works.
Today, in a museum that gives us a Giorgio Armani retrospective, the Rockwell exhibition looks less out of place.
She missed the 2008 Beijing Games, as she broke her left leg during an exhibition game less than three weeks before the start of the Olympics.
For that reason the exhibition is less a visual history of the California College of the Arts than an assertion of its rightful historical place alongside its more academic cousins.
But in addition to spectacular architecture, this can also produce exhibition spaces less in service to works of art than in service to the building itself as art.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com