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What was (and then was not) permissible artistically in post-revolution Russia certainly affected Malevich, as last year's magisterial Tate Modern exhibition demonstrated so painfully by showing his many lives: prisoner, revolutionary, suspected spy.
A recent study examining parent child conversation at the same exhibition demonstrated that parents and children engaged in a rich dialogue in which 63% of the conversation was explanatory, with parents often reformulating exhibit text to make it more understandable for their children (Tare et al. 2011).
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This exhibition demonstrates his brilliant success.
As the exhibition demonstrates, Balanchine showed what could be done, but on his own terms.
For this exhibition demonstrates that artists and radicals saw a truth the British political establishment ignored.
But, as this exhibition demonstrates, realism was not beyond their reach.
This exhibition demonstrates that "glass continues to enrich and enhance our everyday lives".
Fakes abounded, as a small section toward the end of the exhibition demonstrates.
"The 1948 Directors of the Société Anonyme Exhibition" demonstrates a similar lack of aesthetic bias.
As two large sections of the exhibition demonstrate, Lievens drew and etched with considerable facility.
But as the present exhibition demonstrates, Ms. Bruguera has the goods.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com