Mr. Sánchez's first New York gallery exhibition confirms a sensibility both refined and antic whose heroes might include Jean Cocteau and George Brecht.
This exhibition confirms that he can fill Mr. Martin's sizable shoes, and also walk his own walk.
Above all, this exhibition confirms that there is more to Picasso's depictions of his mistress than just paintings of a blond, pneumatic Surrealist goddess.
Among other things, the exhibition confirms the emergence of the Frank Lloyd Wright Foundation, which co-organized it, from the shadow of Wright's widow, Olgivanna.
This exhibition confirms de Kooning as one of the best painters of the 1980's, like Guston in the 1970's and Picasso in the 1960's.
This exhibition confirms that Albers is equal in importance to her husband, both for her work and as a link between European and American modernisms.
This exhibition confirms that in many ways De Kooning was at heart a figurative painter, one in pursuit of an elusive, semiabstract reality that taunted him from the space between his canvas and the model.
This sublime exhibition confirms that the classical remove of Seurat's impeccable, stylized painting -- along with his signature granulation of light and space -- was distilled from an active engagement with the world.
Accompanied by a brochure with a savvy essay by Robert Nikas, a critic, independent curator and former editor of Index magazine, this exhibition confirms Mr. Nikas's point that "the best party pictures make you feel as if you've been there". Many also suggest that you may not have had such a great time.
The Evolving English WordBank, created by visitors to the British Library's Evolving English exhibition, confirms this continued diversity and, like Wright's great dictionary, is the result of contributions submitted enthusiastically by members of the public aware of the importance of vernacular speech to our sense of individual and shared identities.
