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"Caspar David Friedrich: Moonwatchers," at the Metropolitan Museum of Art, is a small gem of an exhibition, a bit of fanfare played pianissimo.
They show Ms. Williams continuing her steep learning curve as a painter and also taking the fusion of subject matter and form, broached in her last exhibition, a bit further.
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The title of this exhibition is a bit misleading.
Mr. Hammons's current L&M exhibition is a bit more of a puzzler.
As befitting a venue amid the razzle-dazzle of Times Square, Discovery turns the exhibition into a bit of a show.
The rest of the exhibition is a bit dry and academic, and this last part is exuberant.
Think of this exquisite, 19-work exhibition as a bit of fanfare played pianissimo.
It might also make our exhibition culture a bit more relaxed.
With all this going on and with the earlier housing on show, the exhibition is a bit of an indictment of our current housing stock.
"This exhibition is a bit like an incestuous relationship with the building," Mr. Piano said while guiding a visitor around the show, which runs here through March 20.
The exhibition is a bit like the antigravity simulators used by astronauts, only here we are really training for the re-entry, for returning to the sunlit city with expanded awareness of a world without sight.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com