One ad, for example, shows a formal staircase in the middle of a forest.
One particularly disturbing example shows a mother and her child hanging from a bridge.
One ad, for example, shows a woman rubbing the bald head of a man washing his car.
One print ad, for example, shows a woman sitting in an easy chair while using her laptop.
A recent ad for Dockers pants, for example, shows a mother and child, the mother's eyes shut in blissful reverie.
One new commercial, for example, shows a tailgate party where spicy brown mustard is slathered on grilled sausages.
"A Whistle in the Dark," for example, shows a twisted side of Irish family life with seething sibling rivalries that erupt into violence.
Van Eyck's "Arnolfini Wedding," for example, shows a convex mirror whose concave side might have acted as a lens that projected an image onto a flat surface.
The design in the Venetian Room, for example, shows a Carnival scene and is accompanied by a Murano glass chandelier and gondola lights.
One exhibit, for example, shows a collage of images of Arab terrorists on television, and asks why a more accurate image of Arabs is not broadcast -- one more closely resembling another collage, of smiling children and families.
"Jesus and the Disciples" (1995), for example, shows a proud lineup of Indians wrapped in gorgeous tribal raiment on either side of a stern Jesus blanketed in austere black and white.
