The Merman's Children (1979), for example, portrays the plight of a surviving species of mermen within human society, a theme found in medieval Danish balladry.
The Analects, for example, portrays the ideal of the junzi (often translated as "gentleman" but perhaps more accurately glossed as the noble person) as realized by persons of genuine substance who are undisturbed by the failure of others to recognize their merits (1.1: "To be undisturbed by others yet not complain, is this not the mark of the junzi?").
Many of Alfred Hitchcock's films, for example, portray the now iconic image of San Francisco with its dramatic hills covered in beautiful, white architecture, or its bustling downtown lined with palm trees and well-to-do cosmopolitan crowds.
Three decades earlier, Cuckoo's Nest for example portrayed the same act as healthy rebellion.
Images of the country, for example, portray the pastoral as if it were a refuge or escape, which puts the strain of urban life in the back of your mind.
These examples portray the typical salt wedge estuarine circulation observed in the Columbia estuary [26].
His film "Sindoan" (2008), for example, portrays individuals practicing the many anomalous religions generated in the country during the mid-20th century.
The example portrays that capacity on the North American railways has generally developed to meet a need.
Scaffold prompts should not use controlling language to, for example, portray that students need to complete a task to compare themselves to others or because the teacher requires them to.
"Remedies, Maladies, Reasons," for example, portrays her relationship with her hypochondriacal mother, described by the poet as "a hideous machine that pumps and wheezes, / suppurating, rotting, stinking, swelling".
The work of Jordin Isip, for example, portrays expressionless figures often standing alone or apart from other figures.
