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His film "Sindoan" (2008), for example, portrays individuals practicing the many anomalous religions generated in the country during the mid-20th century.
The Merman's Children (1979), for example, portrays the plight of a surviving species of mermen within human society, a theme found in medieval Danish balladry.
"Remedies, Maladies, Reasons," for example, portrays her relationship with her hypochondriacal mother, described by the poet as "a hideous machine that pumps and wheezes, / suppurating, rotting, stinking, swelling".
A new movie, "Waiting for Superman," for example, portrays five charter schools in New York, Los Angeles and elsewhere — most with only a few hundred students — as the way forward for American schooling.
A poster by the Italian political party Lega Nord, for example, portrays a stereotypical 19th-century Plains Indian warrior accompanied with the slogan: "They were subjected to immigration – now they live on reservations!" In the first half of the 20th century, the image of the indigene was adopted by the European far right as an exemplar of nobility, strength and resistance.
The example portrays that capacity on the North American railways has generally developed to meet a need.
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Most—"Bridget Jones's Diary" and "Gosford Park", for example—portray a sort of theme-park Britain.
A recent example portrayed a package of cigarettes feminized with charming pink flourishes.
His early writing on the sacraments, for example, portrayed them as personal encounters with God rather than mechanisms for the distribution of grace.
The movie does not, for example, portray L.B.J. as "only reluctantly behind" the Voting Rights Act, which would indeed be a gross distortion.
Swiss-born French philosopher Jean-Jacques Rousseau, for example, portrayed women as silly and frivolous creatures, born to be subordinate to men.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com