The subjection of artistic phenomena to universal rules and principles, the quest for system is expressed, for example, in the title of Charles Batteaux's main work, The Fine Arts Reduced to a Single Principle (1746), as well as in Boileau's rules for good versification.
Being downright godless is no impediment to feeling, for example, that the title track is something sublime.
The average appraisal fee is around $270, for example, while the title insurance fee is around $450, according to a survey last year by Bankrate.com, which tracks mortgage rates and fees.
Students, Brownstein loftily declares, are best introduced to Austen's novels by being informed, for example, that the title "Mr. Knightley of Donwell Abbey" conceals the code words "knightly" and "donewell".
It portrays Napoleon if (1) the artist intended it to represent Napoleon (for example, if the title of the painting is "Napoleon") and (2) the painting does look like Napoleon to some degree at least—at any rate it contains no important characteristics known to be incompatible with those of Napoleon.
For example, if the title uses your middle initial, you should sign using your middle initial as well.
For example, the title logo for the anime was rendered using rounded fonts that would appear more harmless to audiences.
Consider, for example, the title of the book The Case for Mental Imagery, by Kosslyn, Thompson & Ganis (2006).
For example, the title might be: "A neural circuit mechanism for regulating motor variability during song learning in zebra finches".
We see alliteration, for example, in the titles of best sellers ("Good to Great") and advertising taglines ("Guinness is good for you").
For example, in the titles of chapters of four recent volumes on urban studies, of Bridge and Watson (2013), Enderson and Jayne (2012), Paddison and McCann (2014), and Parker (2015), we come across metaphors as in the next Table 1, and in the texts of the volumes many more metaphors can be found.
