Multiple television series have aired episodes that either reference or parody the game and its elements; for example, Danger Mouse, That '70s Show, Scrubs, Chuck, Robot Chicken.
This is particularly the case for triplets involving a shift from a relatively abstract representation (or relationship) to a more concrete representation – for example danger of avalanche and no entry.
For example, dangers that primarily affect children evoke more concern than actions that pose an equal risk to adults.
The Advisory Council on the Misuse of Drugs, in making its recommendations, had to make choices about what harms to include in its analysis and how to weigh, for example, the danger of death as compared with the danger of addiction.
Unrestrained use of antibiotics is one example; the danger of salmonella-tainted eggs, highlighted by the recent national outbreak, offers another.
Though they signal to one another, for example, when danger is near, they do not possess symbolic concepts like good and evil.
India has proven mechanisms for the peaceful transfer of power and the ability to withstand terrible internal conflicts in Kashmir and the north-east, for example—without danger to its integrity.
Why is staring at a small screen for hours playing a game involving colourful dancing mushrooms (for example) a danger tantamount to downing shots of mercury, but staring for hours at a teacher trying to convey the difference between a subordinating conjunction and a preposition is perfectly harmless?
The temporal variation in intensity of these semantic models is of particular interest for two reasons: it provides us with insight about how author/editor strategy changes in relation to what happens in the outside world; and it allows us to gauge whether, for example, the danger posed by these magazines is increasing or decreasing.
In 1961, for example, the danger of miscalculation was, as signs say of fire hazards in the California autumn, "elevated".
The compilation highlights how consistently Anderson simulates the feeling of being inside vehicles, right beside the characters, these moments capture the emotional qualities intrinsic to each travel method in Moonrise Kingdom, for example, the danger and uncertainty of running away from home is perfectly communicated through the POV shot of Sam's paddle boat floating through the reeds.
