Sentence examples for evolution of the sound from inspiring English sources

One important question in the discrimination of general auditory events is how much of our ability comes from discriminating properties of the spectrum, and how much is focused on following the temporal evolution of the sound.

Conventional, radially averaged, one-dimensional seismic models, such as the Preliminary Reference Earth Model (PREM, Dziewonski and Anderson, 1981), provide a generalized description of the evolution of the sound velocities (V P and V S) and density with depth.

Even with plentiful use of memory, this approach produces poor results in many cases, particularly in sections where there is continuous evolution of the sound, because the possible range of sounds is so great, and our ability to correlate subtle visual cues with sound is acute.

They correspond to the temporal evolution of the sound level (one factor for the slope of the increase and another factor for the regularity of the increase) and to the timbre aspect (one factor for tonality and one factor for the texture of noise).

Blogcritics praised the album as "a masterful evolution of the sound of two fabulous musicians", describing it as "a magnificent symbiosis of metal and experimental electronica".

We used this phylogenetic framework to gain insights on the evolution of the sound production mechanism in pipids.

So listening again to the evolution of the band's sound through their early albums is a revelation.

Instead, although Rattle conducted throughout with plenty of urgency, it felt as if the concentration was now more on symphonic structure and on the evolution of the Sibelius orchestral sound, much sparer in the third than in the first two symphonies, and reaching wonderfully austere new heights in the fourth, ultimate music of the north.

Kigongo believes that the new singles are part of a natural evolution of the band's sound; there's been a change, but he's not rushing to put a label on it.

M83's Anthony Gonzalez chats about the evolution of the band's sound as reflected in his most recent release, the critically acclaimed Hurry Up, We're Dreaming (2011), and how the album's theme of childhood memories relates to the tale of Fleur & Manu's music video trilogy.

The continuous pressure value was used to control the force of the impact of each foot on the floor, to vary the temporal evolution of the synthetic generated sounds.