Sentence examples for evoke heartbreak from inspiring English sources

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The play of lyrics between Romy Madley Croft and Oliver Sim evoke heartbreak and the rhetoric that often emerges in its wake, leading people to ask, "Did I hold you too tight?" Sign up for the best of VICE, delivered to your inbox daily.

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Perhaps no images evoked more heartbreak than those of the creatures inadvertently caught in the slick's path: brown pelicans so covered with reddish oil that they could not lift their wings, sea turtles haplessly beached.

A dark undercurrent runs through her work with moody captions in the style of foreign film subtitles evoking the heartbreak, pain, and malaise of adolescence.

But, for me, hearing Bonnie Raitt evoke full-on heartbreak without electric slide guitar was like hearing Simon without Garfunkel, or McCartney without Lennon — like hearing one voice present and another through its absence.

It's a touching moment, evoking the universal heartbreak of parenthood, but the movie does not stop there.

Carrie has just left for the prom, and Margaret's song reveals her decision to kill Carrie rather than let her daughter be tempted by a male suitor — while also evoking Margaret's heartbreak over a world without Carrie.

The life of a cabaret singer is usually not as glamorous as the song-world of love and heartbreak evoked in the clubs: it involves audiences of no more than 100 and earnings of about $5,000 a week on the high end, much of which goes to musicians, managers and publicists.

In a surprise appearance, Governor Deval Patrick evoked our collective heartbreak and urged continued attention to Japan's suffering once the news cycle transitions to Libya and beyond.

Jon Bee "The soundtrack evokes the tragedy and heartbreak of Nazi Germany, whilst offering moments of hope and longing centred around one heroic character.

Some of those comments are just simply offensive while others can evoke memories of deeper heartbreaks from previous relationships.

Through all the highs and lows of Doggy's life, guitar, violin, banjo, accordion and other musical accompaniment, most of it by Cornell van Vuuren and Joost Belinfante, evoke the sort of Gallic heartbreak and joy one associates with Edith Piaf, and Mr. Swarte's stage design sweeps swiftly from the streets and beaches of St. Tropez to the high rises and canine haunts of Paris.

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