"evocative visual" is a correct phrase in written English.
You can use it to refer to a visual stimulus that evokes a feeling or emotion in the viewer. For example, "The painter's use of bright colors and abstract shapes created an evocative visual experience."
Mr. Leiter's intimate, almost abstract street photographs suggested an evocative visual shorthand.
Too bad: the kinds of stories Mr. Garfield loves depend on evocative visual images that his book doesn't provide.
It's a consummate illusion that is a product of a range of evocative visual and aural effects.
Fortunately, Ms. Russo-Young -- as she proved with her first feature, the good-looking "Orphans" (2007) -- has an aptitude for creating emotionally evocative visual landscapes.
Aside from her impressive vocals, she presents an evocative visual element between beats, with whispers and little steps of contemporary dance.
It's the latest in a long line of visually compelling videos and photo shoots whether he's telling tales of magical realism set in Iceland or hallucinatory, CGI-heightened nights out set in London, he's able to create evocative visual vignettes.
Wide, cinematic tableaus of a woman just waking up to bright sunlight is mirrored in two other similarly evocative visuals of a sleeping girl in a rumpled camisole.
Nearly 40 years ago Close Encounters of the Third Kind set the bar very high for sci-fi films that eschewed conventional all-out action sequences and garnered their strength from immense suspense, evocative visuals and mind-numbing mystery.
Instead, he draws you in with soft, effortlessly evocative visuals and a simple, beautifully understated score, relying on subtly shifting facial expressions and meaning-laden actions to communicate the quietly affecting emotional states of his characters".
The movie also features up-and-coming French actress Esther Garrel as well as a voice-over narration by Angelica Huston and evocative, expressionist visuals thanks to gifted cinematographer Sean Price Williams.
For Pynchon, this is a deluxe debut on film – with a multiple Oscar-winning adapter-director, period-evocative 35mm visuals by Oscar-winning cinematographer Robert Elswit and a score by Radiohead's Jonny Greenwood – and another step in a recent, limited process of warily opening up and releasing control.
