Sentence examples for evocative viewing from inspiring English sources

When Forbes asked some of the world's most famous and fascinating people to send us photos of where they work, we had no idea they would make such evocative viewing.

Visitors can climb it and look down on river and city beneath, getting a closer and more evocative view than from the big wheel upstream.

There are too many works of similar size but uneven importance, which has a dulling effect on what should be the thrilling paintings that follow Guardi's poignant, evocative views of Venice and his fantastical charming capriccios with their romantic ruins and arching trees.

The evocative view of Eastwood at work captures the ethos of the film itself — the ideas are clear, the emotions are specific, but the tone is loose; Eastwood's perspective and his cinematic strategies elicit images that are precise but feel contingent.

In his personal movies — "Elephants" and the brilliant "226-1690" (1984), which tells the story of a year in his life using only the recordings on his answering machine as a soundtrack, accompanied by evocative views of city life from the windows of his Mott Street loft — Rogers portrayed himself in a similarly serious and often self-flagellating manner.

The turf boasts an evocative view, overlooking the ocean.

Viewed through the screen of trees, it is a moody, evocative sight, like the bass line of a slow jazz tune.

But it was - it had to be - Rattle's evening and I found myself studying him closely, with a sense that he was as much in charge of audience as orchestra (that evocative back view).

With a cameraman's eye, he knows how to take the evocative long view of a wild black locust grove against the marsh, for example, as well as the close-up.

Although Pine et al. [ 39] reported that offspring at risk for PD experienced more fear while viewing evocative facial affect than LR offspring, their HR sample included symptomatic children which may have confounded findings.

Among the many beautiful and evocative works on view, Mary Stubelek's ambiguous "Sunrise Sunset" makes the point that in this flat terrain, the day begins and ends with the sun and horizon interacting, while Jane Wilson's "Sleeping Moon," ostensibly a night scene, shimmers with the afterglow of a day that refuses to die.