Often described as "para-documentaries", his films present revealing multiple perspectives conjured from archival finds and specially created evocative footage.
News programmes continue to illustrate financial news with evocative footage of shouting men in a trading pit.
In all, 91 videos were posted, featuring such gems as a reluctant interview with Canadian TV around the 1984 release of The Killing Moon, a shaky mid-80s live recording of Seven Seas filmed for Brazilian TV, and some hugely evocative footage from a 1982 hometown gig at Liverpool's Sefton Park.
In each room, screens relay evocative archive footage against a sinister atmospheric background score by Damon Albarn, so that you feel you are a character in some weird movie.
The episode details the protests, centered on Selma, Alabama, over the right to vote, with a wealth of outrage-stirring, evocative archival footage of white officials using violence against peaceful black protesters, using contemptuous and hateful language to address black citizens, and abusing the law to deny citizens their rights via deceptive processes.
The film benefits from evocative archival footage, a cache of photos, and extraordinary letters his father wrote to his mother Letty when he was in Vietnam while he was in his early 20's, determined to record his experience in an epistolary fashion.
He has long explored the moody, evocative qualities of archival footage and decaying film stock.
On screens to either side, Kurt d'Haeseleer's video footage offered evocative glimpses of what Humbert has perceived in his surroundings: a nymphet floating within a veiny Sargasso entanglement; blurring highway stripes; banal picket-fence suburbs; fluorescent light fixtures.
The stirring presence and fascinating anecdotes of such bandmates as the drummer Sunny Murray, the judicious, evocative use of archival footage of New York in the mid-sixties, and a generous helping of the music itself combine to offer magical moments of a madeleine-like power, summoning up a vanished world that the music both thrived on and exemplified.
Featuring evocative clips and period footage, this documentary reignites the debate forty years later, via incisive interviews with artists, writers, critics, and Crowley himself.
An evocative film by Chantal Buard and Kristin Tieche splices footage of her running through an urban ghost town with contemplative close-ups; Alex Potts's sound installation (much of it emanating from a gorgeous medley of hanging gourds) likewise mixes hip-hop, jagged piano compositions and tinny lullabies of the music box variety.
