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The difficulty even of naming the genre suggests its inherent problem: the evocation of pity or guilt or a measure of both from the middle-class art-house audience it plays for.
Similar(59)
While the reality here is "virtual, the authors evocation of love, terror and pity touches the heart.
While the "reality" here is virtual, the author's evocation of love, terror and pity touches the heart.
From me a tear of pity flows.
"Women come to you out of pity".
The looks of pity will vanish.
It's her lack of pity.
She becomes merely an object of pity.
Maybe an occasional look of pity.
Here Hutcheson cites cases of pity.
Dearth of pity.
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