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The purple bars are for the Moonraker study, the blue bars are for the Touch of Evil comprehension conditions, and the red bar is for the Touch of Evil map task.
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Evil, evil, evil.
The number of our sisters and daughters of all ages brutally defiled over the past two decades staggers the imagination, and the number of lives devastated by such evil defies comprehension.
I used to think that some people were literally just evil and beyond comprehension.
The obscenity of the evil genius who attacked America defies comprehension.
It is hard to see how this aim can be achieved if a phenomenon as central as evil must be held to escape all comprehension, nor is there any special reason to expect such a thing.
Despite the ambiguity of what drives the Tyranny of Film, the relative dissociation between eye movements and narrative comprehension is very surprising in Touch of Evil, especially given the strength and consistency of the differences in comprehension between the groups.
Resident Evil, as of today, represents what to steer away from: logic, easy comprehension, the implied safety of a normally functioning video game.
There's some action, violence, and imprisonment, but the evils of over-taxation is likely to go beyond a child's comprehension, minimizing the childhood-ruining effects.
If we reduce that enemy to "evil," we conjure up a shape-shifting demon, a wild-card moral anarchist beyond our comprehension and therefore beyond the reach of any counterstrategies.
Thus, in two experiments we tested whether the eye movements and comprehension relationship similarly held in a classic film example, the famous opening scene of Orson Welles' Touch of Evil (Welles & Zugsmith, Touch of Evil, 1958).
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com