Sentence examples for ever elegant from inspiring English sources

Exact(3)

The appearance of this slim, white-haired, ever elegant figure was always given an ovation.

For that someone who goes giddy at the sound of Champagne corks popping NV Champagne Billecart-Salmon Brut Rosé  (Champagne) Ever elegant, Billecart Salmon's nonvintage rosé is a pale rose tinged with copper, with masses of fine bubbles, and a fragrance of strawberries and cherries.

From lunch at the Majestic Beach with the ever elegant Shivani Pandya of the Dubai International Film Festival, sitting across from longtime inspiration, film journalist and now Mumbai Film Fest director Anupama Chopra, to catching up once again with Lebanese filmmaker Nadine Labaki, who sat on the Un Certain Regard with another incredible woman, Saudi Arabian director Haifaa Al Mansour.

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My other New Year's Eve pudding is the ever-elegant Mont Blanc.

The ever-elegant Owl Eyes charmed and the crowd crescendoed for the irresistible hits Sunshine and Crave You.

Yes, it has become a clich?but an ever-elegant one, with at least as much oomph as newcomers like the Setai and the Victor.

As well as collaborations with Young Thug, Rich Homie Quan and 2 Chainz, one previously unheard track - Shakin - features the ever-elegant vocals the late R&B pioneer, Aaliyah.

(Jack Anderson) BAC Flicks (Tuesday) Next up in this delightful film series is the documentary "Carmen & Geoffrey" — that's Carmen de Lavallade, the ever-elegant dancer and choreographer, and her husband, Geoffrey Holder — which chronicles the couple's intertwined artistic and personal lives.

By the same token, while the contributions of the designers are all terrific — Jennifer Tipton's ever-elegant, ever-unobtrusive lighting; the complex video by Austin Switser; the sets by John Cleater and Neal Wilkinson; the haunting music and sound by Dan Dobson — at no point does one component of the show upstage another.

As more proof that playwrights continue to be drawn to the world of creative endeavor, along comes David Hare's "The Moderate Soprano," which takes as its topic the origins in the 1930s of the ever-elegant Glyndebourne Festival Opera, south of London.

From the very first uneasy chord it is very obviously a searching, serious piece and, I think, one of Reich's major statements, and certainly contrasts sharply with the ever-elegant but much more bland Variations for Vibes, Pianos and Strings, which began life as a joint commission for the London Sinfonietta and the Akram Khan Company.

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