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Eventually, he designed a realistic-looking miniature piano that caused a furor at the New York toy fair.
Eventually, he designed workshops for children between the ages of 7 and 17 in several countries, including Hungary and Poland.
He had commissions in the United States and abroad; eventually he designed the RCA pavilion at the 1964 World's Fair in New York City.
A year later Mies moved to Chicago to head the department of architecture at the Illinois Institute of Technology (then known as the Armour Institute), and eventually he designed its new campus.
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People admired his wild clothes, which he had learned to make for himself as a child in Strasbourg; eventually, he began designing for others and started his own label in 1974.
He designed his first typeface, Maximilian, shortly before World War I. (He served in the war as an infantryman.) He eventually designed about 30 typefaces for Klingspor, the best known being Neuland (1923) and Kabel (1927).
He retained his love of nature, spending part of each summer in Corsica, where he eventually designed a little home for his family.
He eventually designed about 30 typefaces for Klingspor, the best known being Neuland (1923) and Kabel (1927).
He eventually designed clothes for all of those women, modeling the character Alexis's style after that of Ms. Crawford, whom he dressed for 20 years.
Eventually, he refined this design by sewing a valved segment of bovine jugular vein within a modified version of a balloon expandable platinum iridium stent that was commercially available in Europe at the time (CP Stent, NuMED Inc., Hopkinton, NY), producing a balloon expandable stent-mounted valve for TPV replacement.
In several of those roles, he found himself spending more time working with freelancers and agencies than he did actually designing — eventually, he realized that this is a broad problem that's causing "a lot of pain" for a lot of companies.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com