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The evaluation of a student's progress and a teacher's abilities requires an act of human judgment (much like evaluating a work of art).
In the late 18th and early 19th centuries, Johann Wolfgang von Goethe set forth three criteria for critics to consider in interpreting and evaluating a work of art: (1) What was the artist trying to do? (2) Did he do it?
For Schlegel, a criterion for evaluating a work of art is its capacity to extend itself "beyond the limits of reality into the region of a creative fancy" (LDA, 107 108).
When evaluating a work of art, art appraisers look for: Authenticity, condition, rarity, provenance, and value.
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Not evaluating a piece of work is a sign that you do not care about your grades.
Take the example of evaluating a colleagues work.
In fact, he added, "price took on a more prominent concern in evaluating all works of art".
This evaluation step was executed by two independently working curators, each evaluating a subset of the data.
This work aimed at evaluating a variety of promising advanced PET-AS methods for segmenting target objects of complex geometry and heterogeneous or necrotic uptake.
Critical friends are colleagues with comparable educational background evaluating the work of each other by asking provocative questions; thus, offering critique of a person's work as a friend [ 22, 23].
In the criteria for evaluating previous work of the firms being considered, "architecture" was folded in with objective standards, like whether a firm produces works within budget and has extensive experience with skyscraper design.
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