The phrase "established rhythm" is correct and usable in written English.
This phrase is typically used to describe a set pattern or tempo. For example: "The established rhythm of the waves against the shore was soothing to the mind".
Perhaps the most obvious example is The Rite of Spring (1913) in which the composer Igor Stravinsky established rhythm as the vital element of his ballet score, while simultaneously reducing the role of harmony.
Ms. Bethel, a certified music therapist at the Music Conservatory of Westchester in White Plains, was combining established rhythm and movement techniques with a pioneering use of music therapy methods meant to help students learn to pay attention.
Speaking of their second film together, "The Place Beyond the Pines," opening Friday, they were not exactly finishing each other's sentences — the voluble Mr. Cianfrance tends to finish his own — but had clearly settled into an established rhythm.
Things have settled down a lot since then, and my daughters and I have adapted to the established rhythm of the routine (two days on, two off, five days on, five off), though the transitions aren't always entirely smooth.
It is infused with "honor beats" — points at which the drums break from the established rhythm — ranging from slow and few to rapid and many, depending on whether the mallet work is mimicking muskets, machine guns or weapons that repeat at a rate in between those extremes.
To evaluate the performance of the proposed method, the sensitivity and specificity for detecting a shockable rhythm before and after filtering are compared with an established rhythm classification algorithm named phase space reconstruction (RSR) [ 29, 30].
This was a crucial time to connect and establish rhythm and timing, both physically and mentally.
Mr. O'Connor lets Ms. Butler claim our attention in a number of ways before she establishes rhythm with her feet.
The actors race through the first act of Tony Glazer's "In the Daylight" as if they had someplace else to be, not even trying to establish rhythm or rapport and giving Mr. Glazer's barbs and witticisms no chance to land.
But in the early stages Arsenal struggled to impose themselves or establish rhythm, misplacing a number of passes.
United often relying on the counter-attack rather than establishing rhythm or control, but while Ciftci was intermittently involved, the trio of attackers behind him - Dow, Stuart Armstrong and Gary Mackay-Steven - struggled to deliver their usual swift incisiveness.
