Sentence examples for essentially aesthetic from inspiring English sources

Exact(5)

Yet that would not be fair, for his grievance is essentially aesthetic.

They are different interpretations of history, more or less persuasive as one judges them on what are essentially aesthetic or moral grounds.

"The purpose of inventing instant photography was essentially aesthetic," he declared, "to make available a new medium of expression to numerous individuals who have an artistic interest in the world around them".

It reveals causes as well as effects, rhetoric as well as action, attitudes as well as intentions; its technique isn't merely mechanical or practical, not merely political or moral, but essentially aesthetic: Drew, Leacock, and their colleagues used the camera as an ambulatory proscenium to push their participants into scenes of emotional abandon and self-revelation.

Specifically, while "On Grace and Dignity" argues that the moral determination of the will should be accompanied with certain moral sentiments on what are essentially aesthetic grounds, Kant argues that the virtuous determination of the will should be accompanied by certain moral sentiments on moral grounds.

Similar(55)

And that is the chief feature of reality-TV hatred, and perhaps all blind hatred: those who hate can't stop talking about it and — worse — trying to add a moral dimension to what is essentially an aesthetic position.

Hence, this led to an essentially instructional and aesthetic concept of images.

If it seems problematic that Bernhardt's is essentially a recycled aesthetic, one could say the same of the early Expressionists.

Salle's paintings reflect what is essentially a collage aesthetic, whereby he takes images out of their original context and recontextualizes them into complex ensembles.

Now and then its presence is felt - when an architect adds a sudden burst of warm colour to brighten up the otherwise essentially cool, neutral aesthetic of much of today's European design.

The fusion of ideological orthodoxies with the analytical tools of Roland Barthes's "Mythologies" — the convergence of self-justifying moralism with the habits of academic literary study — is the intellectual springboard for the mode of appreciation of so-called quality television, which is essentially sociological, not aesthetic.

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