Sentence examples for essential force of from inspiring English sources

These photos, which bring to mind sculptures Mr. Segal did decades earlier, are reminders that the essential force of "Father and Daughter" is continuity.

Many of the poems in this collection seek to understand the unthinkable — a baby injured at childbirth — by means of language; they are driven by the ferocious, essential force of mother love.

Thanks in part to their drummers, Marcus Gilmore and Jamire Williams — each of whom had his own way of reconstituting the influence of Tony Williams — the songs on "Anthem," "Yesterday You Said Tomorrow" and "Christian aTunde Adjuah" tumbled into your ear with the writhing, essential force of a feeling, or a mass of people on the move.

Mr MacMillan views it as "the requiem she never had" and as an expression of "the timelessness of the inhumanity in that story".In this section Scots firebrand A not so certain idea of France All roads lead to Lake Bolsena Director, spare that play ReprintsEven his openly Christian sources become dramatic and immediate, conveying the essential force of any liturgy.

But the weight of the water, the weight of the words, the weight of the opinions of others, the weight of her place in the world -- there are a lot of ways to look at her character". Collaboration is an essential force in the world of chamber music.

Research has been a major factor underlining these changes and will continue to be an essential force driving the evolution of the specialty.

Collaboration is an essential force in the world of chamber music.

Although studies of SNARE assembly are facilitated by the use of soluble SNAREs isolated from membranes, the lack of an essential force load may complicate data interpretation regarding functional SNARE assembly.

Note that the so-called "outrageous" sum awarded in the McDonald's coffee-scalding case had the essential effect of forcing McDonald's to change its practices so that no future customers were at risk of being scalded.

He was an essential force in the relatively recent changing of our attitudes to sex, and especially to same-sex relationships.

Their recognition of the persona of the filmmaker, rather than the story or the characters, as the essential motive force of the art of the cinema took movie-viewing out of the dramatic and literary — and, for that matter, visual or photographic — realms, and achieved what prior theorists had only dreamed of: a distinctive cinematic aesthetic.