Sentence examples for eschew reality from inspiring English sources

The decision by top Fox executives to eschew reality programming "is a very positive development for the Fox brand," Mr. Nesvig said, "and certainly for the advertisers we do business with".

That idea, and the flood of neuroses that follow when we eschew reality for an imaginative flight, is the central conceit behind "Ruby Sparks," a new film written by the actress Zoe Kazan and starring her real-life boyfriend, Paul Dano.

People invested in the Bigfoot (especially monetarily) will stoke the mystery and eschew reality.

Institutions wedded to an academe of the neo mad men era that choose to eschew this reality by refusing to finally join the 21st century will simply replicate mediocrity.

But although still only at tech demo stage, it does seem like a great concept: eschewing virtual reality, it's designed to project computer-generated images on top of the real world.

This direct observation and consultation of reality eschews the problems of deductive reasoning by focusing on the intellectual act of intuition, or direct apprehension of reality.

What a sensible article by David Frum! His observations are rooted in historical reality and eschew the ideological ranting of the Republican right wing.

Much like Kant's denial of the knowability of the "thing in itself," the modest realism Putnam endorsed there eschewed the notion of reality "in itself," with its built-in representation.

RealWear is aiming to eschew the space-age reality-altering helmets others are pitching to enterprise customers in favor of an AR headset solution that gives industrial workers a taste for the utility offered by navigating tasks in a hands-free way.

He should eschew the vexing world of the essayist, in which he is called to task when his capital-T Truth and mere lowercase objective facts clash, and embrace a profession ideally suited to his sensibilities: reality TV producer.

And to talk about effects-centric movies separately from the rest of movies is to duplicate the error, made by many theorists and critics, of privileging, as some artistically superior form of cinema, movies made in the name of reality and conspicuously eschewing the use of effects.