Sentence examples for equally believable from inspiring English sources

Mr. Carll's lilting drawl makes the song's serious and absurd vignettes equally believable.

– shares the limelight with a group of colleagues, all equally believable, all male.

Sean Stewart is the rare classical dancer who is equally believable and committed-looking in modern dance and ballet.

Meanwhile, Alexa's equally believable paternal grandfather is so stubborn that although he's thirsty he refuses tea with his wife in order to punish her for returning home 45 minutes late.

It's also a testament to family itself, so often a source of division in Leigh's films, and it's appropriate that Phil Davis, a staunch member of Leigh's rep company for 30 years, is equally believable as Staunton's husband.

But the mood of the song isn't especially dark, because Bowie and Visconti are able to couch the fear of a confused soldier inside an equally believable state of mind, one in which he's thinking about "teen-age sex" and getting high, as well as not shooting at people he doesn't know.

On completion of the study participants were asked "how credible was home treatment compared to hospital treatment?" to see if participants found the home sessions equally as believable as the hospital based sessions.

Treatment credibility was assessed to see if participants in the placebo group found the training they received equally as believable as those in the intervention group in an attempt to verify appropriate participant blinding in keeping with the method of Moseley et al. [ 5].

His efforts to explain away his votes endangering abortion providers and supporting the Confederate battle symbol were equally not believable, and apparently they were not believed by a majority of committee members.

The action has obviously moved on to midlife crises, and we can expect much filthy angsting over John Thomson's all-too-believable depression and Robert Bathurst's equally credible lack of capacity for self-examination.

Whereas the successful "Senna" documentary of 2010, directed by Asif Kapadia, used the traditional Hollywood device of reducing the main adversaries — Ayrton Senna and Alain Prost — into good guy versus bad guy, Howard and Morgan "created" two equally sympathetic and believable drivers.