Sentence examples for ephemeral content from inspiring English sources

We're committed to sustainable publishing that isn't dependent on advertising, search-engine optimization, the constant circulation of ever more ephemeral content produced for lower and lower rates.

If you send an image to someone else, via Snapchat or another service promising ephemeral content, you should always assume the recipient can make a copy of it.

The quick snippets of ephemeral content you can publish via Snapchat are seemingly the perfect match for an event that's heavily reliant on snippets of information and a bit of scarcity.

New Darkmail encryption aims to keep government spies out From Snapchat to the music-streaming digital natives and even a whole generation renting rather than buying, 2013 has cemented the rise of ephemeral content and transient technology.

But that's not really what a lot of ephemeral content is: it's filler, or a dump for all the stuff you wouldn't put on Facebook and Twitter or Instagram proper.

In contrast, we design and analyze a fully distributed variant of an ephemeral content sharing service, solely dependent on the mobile devices in the vicinity using principles of opportunistic networking.

Hume rejected such claims, and proclaimed the self to be nothing more than a concatenation of its ephemeral contents.

The popularity in the 'Stories' format of ephemeral content disappearing within 24 hours on social media platforms will continue to grow.

Sydney based gallery Minerva, was showing a solo presentation of remarkable paintings by Hamishi Farah, which wove together art history and ephemeral internet content, such as memes or momentarily notable YouTube videos.

The app's popularity has been attributed to its use of "ephemeral media": content shared over Snapchat can only be viewed for a maximum of ten seconds before being automatically deleted off the recipient's phone.

The study concludes that soap operas should be managed as brands and not ephemeral television content because of their permanence in the television landscape, that fans outside the target advertising demographic should be empowered as proselytizers for the show, and that a transgenerational storytelling approach best utilizes the power of the genre to tell its stories.