Mr. Asimov envisioned it with pasta and a succulent meat sauce.
Mr. Rich used Photoshop to envision it with shutters, a fresh coat of paint, an updated kitchen and other improvements.
When he first sketched the Matrix in 1999, Mr. Kember, who works at Toyota's Calty Design Research center in Newport Beach, Calif., envisioned it with elements of popular Asian street racers, like the tricked-up Hondas and Toyotas later seen in "The Fast and the Furious," a sleeper Hollywood hit of 2001.
As Darwin envisioned it, with the acceptance of his theory, "a grand untrodden field of inquiry will be opened" in biology and natural history.
So when a play gives that kind of experience, it's hard to re-imagine it, to envision it with someone else in the role that made you fall in love with a lasting star.
The show, as she envisions it, will start with a procession of tabardlike vests over matching dresses, abbreviated jumpsuits and sheaths, each in a chalky tint of pink, eggshell yellow, ivory or a more strident marigold silk.
It was built at a cost of $54 million by a real estate investor, George Barber, a 62-year-old Birmingham native who envisions it -- along with an accompanying 140,000-square-foot museum that will house his collection of 800 vintage motorcycles -- as a sort of massive theme park for the car-racing set.
He envisions it going mainstream with a six-inch tube that fits into anyone's pocket.
Plantation life as Walker envisions it includes African Americans with exaggerated breasts and their buttocks.
"Sort of like 'Barfly,' with Mickey Rourke that's how I envision it being with me and him," he says.
"Sort of like 'Barfly,' with Mickey Rourke — that's how I envision it being with me and him," he says.
