Sentence examples for environment narrative from inspiring English sources

The "Environment Narrative" revealed yesterday by Danny Alexander (with a little help from photographer Oli Scarff) has a very striking line at the end: "Over the spending review period environment spending will increase [30%] in real terms.

If this is to be the case in a way that leads to substantial manifesto promises, then it seems to me that the growth versus the environment narrative that has become so prominent among key ministers and media outlets needs to be effectively challenged and changed.

Balls would find an easy win if he used his despatch box attacks to really get Osborne on the ropes over the misleading economy versus environment narrative – and his failure to support a green economy that's currently growing in its own right at over four per cent each year.

The poll question adopts a "jobs v. the environment" narrative which assumes fracking would benefit the economy.

Verhoeven's film was deliciously slippery: character, environment and narrative were hard to pin down from the off.

Bausch, who sought to break down the traditional boundaries between theatrical forms by melding movement, environment, fragmented narrative, and sound, was one of the most innovative performers in European theatre in the 1980s.

Players assume a godlike role, affecting environment and narrative by shining light into the darkness, all the while guiding "messenger" atoi – or her male counterpart iota, both deliberately lower-case – to heal an ominous hole in the sky.

They do, of course, belong to a loose genre known as experiential games, most commonly associated with two titles – The Chinese Room's Dear Esther and Fullbright's Gone Home – which stripped back all interactive components, and put the focus on simply experiencing the environment and narrative.

Oddly – and everything about Leine's work is decidedly odd – this engagement is effected utterly without any attempt at seduction through character: the story's momentum is dependent more on the clever manipulation of time-jumps and on the sheer strangeness of the narrative environment than on any charm on the part of its enigmatic main protagonist, the reluctant priest Morten Falck.

Once the viewer firmly crosses the threshold into a secondary zone, the viewers can use joysticks to move around and explore their environment with the narrative paused.

So please, guys and girls of Ubisoft, environment artists and narrative directors and executives alike: do not fuck Far Cry up.