Sentence examples for envelope of sounds from inspiring English sources

These results suggest that different psychological information is carried by the temporal envelope of sounds relative to the rate of amplitude modulation.

Drever even did research into poltergeists in there (recording raw noises and playing them back through building materials such as brick and wood to synthesise the spooky "unnatural envelope" of sounds associated with noisy ghosts).

Drever even did research into poltergeists in there (recording raw noises and playing them back through building materials such as brick and wood to synthesize the spooky "unnatural envelope" of sounds associated with noisy ghosts).

The capability of processing rapid fluctuations in the temporal envelope of sound declines with age and this contributes to older adults' difficulties in understanding speech.

The ICC was chosen because of the ability of ICC neurons to precisely synchronize their discharges to the envelope of sound stimuli, a capability that in general weakens along the auditory pathway from the periphery to central levels and that is only rudimentarily present at the level of the auditory cortex (10, 11).

Mark, 33, explained their consistency with a characteristic blend of sarcasm and guarded self-analysis: "We're trying to push the envelope of verit which sounds arty, indie and cool.

Each category was constructed from a single prototype sound by manipulation of the fundamental frequency (f0) of the prototype sound and the acoustic scale of the envelope of the sound with the vocoder, STRAIGHT [12, 13].

Wrapped in that envelope of naturalistic sound the Beckett material drops into the sequence of "Winterreise" at irregular intervals, much as Schubert's songs may be presumed to have drifted through Beckett's mind.

Preservation of phase means that the relationship of the envelope of the sound in different frequency bands is preserved.

All these manipulations preserve the overall frequency power spectrum of the signal as well as some second order statistics of the temporal and spectral envelope of the sound but disrupt the characteristic higher spectro-temporal structure found in natural song.

Some systems assume that the spectral envelope of the instrument sounds is smooth [27 29]; hence, the amplitude of an overlapped harmonic can be estimated from the amplitudes of non-overlapped harmonics from the same source, via weighted sum [20], or interpolation [21, 27].